In this follow-up to 2007’s Drawing Now: among the strains of latest artwork, Phil Sawdon and Russell Marshall, administrators of TRACEY, curate modern drawing inside of wonderful artwork perform from 2006 via to 2010. 4 essays and photographs from 33 foreign artists jointly discover the limits of the Hyperdrawing area, investigating in essence what
lies past drawing - photographs that use conventional fabrics or topics when additionally pushing past the conventional, utilizing sound, mild, time, area and technology.
Over and above conventional perspectives and practices, the authors and artists during this booklet recognize and embody the possibilities inherent within the crucial ambiguity of drawing. Practitioners of hyperreal works, second 3d 4d items and installations that push past photorealism all locate their position inside of this new notion of Hyperdrawing as techné, a efficient area now not restricted through spatial obstacles. Artists together with Catherine Bertola, Layla Curtis, Richard Grayson, Karl Haendel, Garrett Phelan, Suzanne Treister and Ulrich Vogl along the essays of Emma Cocker, Siún Hanrahan, Marsha Meskimmon and Phil Sawdon/Russell Marshall supply a modern view in either visible and written shape that suggest ambiguity as a strategic method in drawing study and practice.
A gallery in publication shape, Hyperdrawing takes drawing past the interplay of pencil and paper and lines modern adventures in a number of dimensions and exchange realities.
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Additional info for Hyperdrawing: Beyond the Lines of Contemporary Art (Tracey)
Hyperdrawing: Beyond the Lines of Contemporary Art (Tracey) by TRACEY